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BCR
Book Club
Exploring life through reading, friendship
and drink! |
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Good
Grief
About the Book:
| A brilliantly funny and
heartwarming debut about a young woman who
stumbles, then fights to build a new life after
the death of her husband. When 36-year-old
Sophie Stanton's husband dies of cancer, she
desperately wants to be a graceful, composed
Jackie Kennedy kind of widow. Alas, Sophie is
more of a Jack Daniels kind. Self-medicating
with cartons of ice cream for breakfast, showing
up to work in her bathrobe and bunny slippers,
soon she's lost not only her husband, but her
job and her waistline. In an attempt to reinvent
her life, Sophie moves to Ashland, Oregon, where
she finds an embittered 13-year-old girl with a
fascination for fire, a job as Salad Girl at the
local French restaurant, and an alarmingly cute
actor whom Sophie wishes she didn't like quite
so much. Readers will laugh and cry along with
Sophie as she proves to the world and herself
that she can recover from something this
devastating with darkly comic humor and her own
type of class. GOOD GRIEF is the perfect book
for anyone who has ever been heartbroken, lost
someone they loved, or eaten too many Oreos.
By
April 2005 |
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Our Votes:
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| Lisa:
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| Ruth: |
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| Kate: |
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| Betty |
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| Deb |
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| Veranda: |
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| Twyla: |
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DISCUSSION QUESTIONS
1. Clearly
everyone doesn't go through the grieving
process in the same way and at the same
speed. What does Sophie's experience
tell us about grief? How do Sophie and
Marion differ when it comes to grieving?
What aspects of Sophie's grief can you
relate to? Are we sometimes too quick to
tell people to "get over it," and move
on with their grief? How might we be
more comforting to those who are
struggling with grief?
2. The theme of illness or decay extends
beyond Ethan's death. At one point,
Sophie says, "I look at the house and
all I see is cancer." Her house then
becomes literally much emptier than when
Ethan was alive. Do you think that the
death of a loved one casts a shadow on a
living space? What other clues does the
author give that Sophie must leave the
house she shared with Ethan?
3. As a young widow, Sophie feels
alienated at times from other widows and
widowers in her therapy sessions, and
among her friends. Does her youth make
it more difficult for others to
sympathize with her? Along these lines,
does her youth make it harder for her to
cope with Ethan's death?
4. Crystal is one of the most intriguing
characters in the novel in that she both
provides comfort to Sophie and gets
under her skin. Do you think Crystal
helps restore a sense of control in
Sophie's life, or does she take it away
because she is so trying of Sophie's
patience?
5. Low self-esteem is a huge problem for
both Sophie and Crystal, but they cope
with it differently. How does each
character deal with their self-esteem
and confidence issues? How does Sophie's
experience with low self-esteem help
Crystal overcome her cycle of
self-destruction?
6. Sophie's mother dies when she is a
young girl. Yet for someone who grew up
without a mother, she demonstrates an
incredible maternal instinct. Towards
the end of Ethan's illness, Sophie was a
caregiver. And at the end of the novel
Sophie becomes a surrogate mother for
Crystal and Marion (and even Drew in the
last scene) -once again she is in the
position of being a maternal caregiver.
Is being a motherly-type figure
therapeutic to Sophie? Does being a
parental figure help Sophie overcome
Ethan's death? Aside from her father's
visit, do we ever see Sophie allowing
herself to be taken care of?
7. At one point in the novel Sophie
says, "Here's what happens in the
movies: A single woman moves to a small
town in the country to start over, and a
rugged Sam Shepard kind of guy-lean and
muscular, a cleft chin, and a
thirty-three-inch waist in faded Levis's-
finds her." Yet at the end of the novel
she's involved with Drew, a handsome
actor. Did you find that unbelievable or
disappointing? Or did you think that was
okay since clearly her knight on a white
horse has already revealed that he has
some commitment issues?
8. The concept of the non-traditional
family manifests itself several times in
the novel. After Ethan's death, Sophie
finds herself with her father living
3,000 miles away and no other immediate
relatives to turn to. By the end of the
novel, how has Sophie's notion of a
"family" changed? Who constitutes this
new family? Can this new family fill the
void that Ethan left?
9. Sophie clings to Ethan's possessions
and becomes very attached to his ski
sweater over the course of the story,
almost personifying it. Finally, she
decides to part with most of Ethan's
belongings, even the sweater. Why is it
so difficult to part with the physical
things left behind when someone dies?
Does wearing and holding onto this
sweater help Sophie overcome Ethan's
death, or does it impede her progress of
moving on with her life? Is Jasper a
good home for Ethan's sweater, or should
Sophie have kept it?
10. Do you think the expression "good
grief" is apt? Is a grieving period
necessary in order to recover and move
on? And do you think someone ever moves
on from a loss such as one that Sophie
experienced?
11. The notion of loyalty and commitment
comes up throughout the book: Sophie's
loyalty towards Ethan and her guilt
about starting a new relationship with
Drew, Ruth's commitment to her failed
marriage and reluctance to let it go,
even Marion, with her Alzheimer's,
maintains a committed belief that Ethan
is alive. When is it okay to acknowledge
that something - a relationship, a
person - has died and that the person
left behind can start anew?
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